The Critiques of feudal Chinese Society in Lu Xun’s two articles

Topics: Chinese language, Confucius, Qing Dynasty Pages: 9 (1240 words) Published: October 1, 2014

The Critiques of Feudal Chinese Society in Lu Xun’s Two Articles: Madman’s Diary and Leaving the Pass


The term 2 HASS essay question
Singapore University of Technology and Design

Lin Yijuan

October 2013
Once during the years 1915-1923 in modern Chinese history, a grand revolution campaign named New Culture Movement was whipped up by some pioneer revolutionists. This group led by Lu Xun and Chen Duxiu considered the feudalism as the primary obstruction of China’s development and appealed to the disposal of feudal autocracy and the reformation of Chinese traditional thoughts, culture and ethic codes through the channel of literature. Two articles among these literature written by Lu Xun, Madman’s Diary and Leaving the Pass, sharply revealed the essence and the root of feudalism and criticized the conservative and rigid traditional thoughts. This paper will talk about the critiques of Chinese society in these two works and relate them to the special historical background of culture revolution. The Diary of A Madman describes a madman’s psychological activities and conditions in the form of diary. In this way, the writer managed to metaphorize the seemingly virtuous but virtually persecutory feudalism. As Lu Xun himself mentioned in the Preface of Selections of Novels in The Great Series of the New Literature 1917-1927, the Diary of a Madman is aimed to expose the feudal Chinese Family System and the persecutory traditional codes of ethics (Lu, 1935). To show the motif, he metaphorized four types of social citizens at that time by constructing four characters. To begin with, the character of the madman is sketched as an isolated enemy to other ordinary people. By mentioning that the madman was the first one to see “the whole book being filled with the two words: ’eat people’”(Lu, 1918), Lu Xun was actually referring to a minor pioneer group who was the first and the only to see the root sickness of Chinese society at that time. However, their thoughts were so advanced and challenged the deep-rooted tradition such that they received no understanding and was even suppressed by the Chinese traditionalists. Secondly, the writer mentioned three types of these advocators of tradition. On the one hand, Mr. Chao and other trivial characters represent the Chinese citizens who were the most ignorant. Educated under the feudal environment, this wide composition of Chinese society consciously developed into numb sacrifices of feudalism and blind followers of inveterate Confucian thoughts. Lu Xun revealed that it is because of the value of this authoritative Confucianism that they had no consciousness of being persecuted and silently obeyed the upper castes. On the other hand, people resisting the revolution are represented by the madman’s elder brother and the doctor. Obviously, the elder brother in the text refers to the advocator of traditional Chinese Family System. As he had no intention of hurting his family, the only reason that he is “the eater of human flesh”(Lu, 1918) is the obedience to traditional codes of ethics, which also originated from Confucianism. Lu Xun also portrayed another figure, the doctor, as a hypocritical vindicator of feudalism. Generally, people of this kind benefit from the conservation of feudalism; therefore, once the tradition is challenged and their social status is threatened, they strive to protect it in the name of tradition inheritance. From above, we can see that Lu Xun reaches the deepest and the darkest essence of feudal Chinese society through the metaphoric literary device, which is simply “eating people”(Lu, 1918). It refers to the malformed twist of Chinese modes of thinking and the slaughter of the human nature by villainous feudal family system based on the deep-rooted Confucianism. The other story, Leaving the Pass, narrates the two philosophical discussions between Laozi and Confucius, as well as Laozi’s leaving the Hangu Pass. Similarly, Lu Xun uses the...

References: Lu, X. (1935). The preface of selections of novels in the great series of the new
literature 1917-1927. Shanghai, China: Shanghai Liang You Publication Company.
Lu, X. (1918). The Diary of A Madman. New Youth, 4(5).
Lu, X. (1936). Old tales retold: Leaving the pass. Shanghai: Life and Culture Publishing
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